Wednesday, August 18, 2010

i was wondering say you built a town on a piece of cloth. and then under the fabric was a small void and you fingered it and slowly the town went down down the hole.

i thought of this at the bustop today and found myself pressing my finger into the bitumen.
i then lifted each foot and re-placed it softly steadily on the ground to make sure nothing was sliding.

then this car of scary men decides to stop in front of me and attempt communication. i snapped out of my fine bone reverie but immediatally wished it was of reality, that they could dissapear with a point of my bony finger.

Thursday, August 12, 2010

the roadworks tonight!

I wonder if he knows i stare. i wont know when he dies and I don’t know what he does or what he did.
I just see him for about five minutes, he gets on my bus and gets right off. a brisk trip on the last bus of the last night.
I thought I could predict his moves. Throughout the two blocks and a roundabout
Until once that is his usual bus stop was changed. Roadworks ahead. he ran with his stiff sideways scissor waltz to the displaced bus.

I love him from a distance. My eyes so greedy that they could push the world flat on its face.
It's insatiable im desperate for every part of every moment because it’s fleeting. I wish for that which I love to not stop but
Then I wouldn’t have to cling so hard would i?
Id never Take it back.
I just hope he’s ok, had a great life and that here at its end it is all alright. What else can I do? A lost else, I don’t know.

Monday, July 26, 2010

alfred im cold but you've sprung a leak



i drew a smile and two dot eyes on him and called him alfred, despite it being red

Sunday, July 25, 2010

“You see the books, they are your best friend.”

What with the dank-must carpet and these pissed-upon trial rooms, with the rows of discarded garments from those rows of all the same tiny houses. So tightly packed that they fall off the hanger and do not reach the trod upon foul floor.
Nothing here reeks of its previous life, as the shoppers are mostly far too dull to think beyond their own. These once freshly pressed products purchased by people wanting to create themselves, as free agents (albeit unknowingly enslaved to the whims of their pathological consumption).
They cannot stop that their saturday soccor trophies will tarnish and that their poly-blend polar-fleece sloppy-joes will ball up.
They cannot stop to realize if ever there was value, the where and the why and the how of it.
But, if it’s no longer wanted (because it never was needed) then they can feel good about themselves by giving it to charity.

It’s different when I approach the bookshelves though. Yes, we have Foetal Attraction, the bibbles that Gideon keeps leaving in random places (hospital rooms, school rooms, waiting rooms, changing rooms) Bridget Jones’s own personal diary, celebrity gossip rags from the late nineties, microwave cooking guides, the Atkins diet revolution.

“You see the books, they are your best friend.”

But we have this boy.

The boy was chubby and his barely joined hare lip glistened with mucous. His father was dressed well, not sharply, but wisely, in browns of varying textures. His accent, as he said it, was thick, but his tone, so gentle.
The boy’s eyes, behind he coke bottle thick glasses, one was of the darkest brown, the other, not seeing, of grey pearlescence.

I saw him later in the store whimpering between the racks of clothes; the Kramer shirts and the Lad shirts, the women’s jumpers and the women’s skirts.

“Daddy, where are you?”

Wednesday, July 21, 2010

The post office at the university where I work is small and ad hoc, and for this I like it. I lament the morphing of Post Offices into Post Shops. In the latter you can buy novelty plaques, figurines and fold-up picnic tables, the kind of cheap ugly gifts that no one would ever treasure, and which surely break the first time they came in handy.

-Vanessa Berry

Tuesday, July 6, 2010

Baudrillard goes to Vegas

"
The secret affinity between gambling and the desert: the intensity of gambling reinforced by the presence of the desert surrounding the town. The air-conditioned freshness of the gaming rooms, as opposed to the radiant heat outside. The challenge of all the artificial lights to the violence of the sun rays. Night of gambling sunlit on all sides; the glittering darkness of these rooms in the middle of the desert. Gambling itself is a desert form, inhuman, uncultured, initiatory, a challenge to the natural economy of value, a crazed activity on the fringes of exchange. But it also has a strict limit and stops abruptly; its boundaries are exact, its passion knows no confusion. Neither the desert nor gambling are open areas; their spaces are finite and concentric, increasing in intensity toward the interior, toward a central point, be it the spirit of gambling or the heart of the desert - a privileged, immemorial space, where things lose their shadow, where money loses its value, and where the extreme rarity of traces of what signals to us there leads men to seek the instantaneity of wealth.
"

Monday, June 28, 2010

You are unable to sleep, so you sit up and write, the next morning, you awaken to realise you had being asleep the whole time.

(so i guess i wank without noticing i do so which sucks)

Outside my window, you look so beautiful standing stoic in the rain. Left unsheltered by the leafless trees, the drips that drape you that quiver and glimmer. You are incandescent against the all else grey. To this cataclysmic splatter, I reach out to touch and as my warm tingled fingers press the glass it appears to melt liquotic, it ebbs and flows within itself for a split eternity. Only to pause as finale, it drizzles into oblivion with a shrill.


I step out. I stand to join you under the deluge. You resist my offer of the moth eaten umbrella. And so we stand. Kindred in our cold. Frozen hands clasped.
It’s miserable, so unnecessary, we laugh.

By candles in bed with sheets crumpled and empty, banality is charm , cancer and qualm. You are the moon, you are its fire. Your breath burns the nape of my neck.

The constant streetlamp, slats through the blinds. I try to sleep but your inconstancy prises apart my eyes.
There are streets and moss I tread carefully. And steeples and fences I climb relentlessly. There are glimpses I catch fleetingly then forget. The drone of the traffic will hum about my ears.

It is all, all this, at my fingers, but escapes their malleability
My chest will expand and then rest, I will grab your arm and press your pulse.